
[The following is from the fourth installment in Lloyd Douglas’s series, “Wanted—A Congregation!” in the summer and fall of 1920. This installment, dated 9/2/1920, is titled, “Fourth Phase—The Service of Worship.” The series is about the Reverend D. Preston Blue, who is on a campaign to enlarge his congregation. This episode takes place after he has begun to succeed in building his audience. He is telling his wife about his plans for improving the order of worship…]
“‘That organ prelude,’ soliloquized Blue, ‘ought to begin quietly. People come in from the racket of traffic on the street. They should be given some incentive to calm their spirits and meditate without being overwhelmed and distracted with a thunderous noise. It should be understood by the ushers that the seating of the people should be done with a minimum of confusion. From the moment the prospective worshipper steps inside the door, he should be impressed with the fact that this is the House of God. He should be given a chance to think, to pray, to sense the divine Presence. Therefore, the organ prelude, which helps him to that mood, must not be a big ‘show piece,’ but rather an impassioned tug at the heart-strings. And then it should grow, almost imperceptibly, at its close, until it seems to be building up toward some definite action. The people must be filled with a desire to express themselves.
“‘Without a pause,’ continued Blue, thinking aloud, ‘the organist will modulate into the score of the opening hymn. Just think of the thrill of it, my dear,’ exclaimed the minister – ‘the organ piling harmony upon harmony, higher, richer, fuller, until, in one great, triumphant chord, it peals out the majestic measures of ‘O God, the Rock of Ages!’ – and the choir comes to its feet – and the congregation rises, not hesitatingly, by squads, but spontaneously, immediately, because it can’t sit still another moment – and then they will sing! Fine – isn’t it?’
“Blue remembers a wonderful service he had attended, in which the organist had begun with an impassioned prelude, rising to a martial mood, and, because the minister was going to preach on a patriotic theme, brought the congregation to a stand with the strains of ‘The Star Spangled Banner’ – after which he swept his choir and the audience into the first verse of ‘Lead On, O King Eternal,’ which happened to be in the same key and therefore required no introduction at all. True, the congregation didn’t know for a moment what was afoot, but it was not long in finding out, and the genuine thrill it experienced shattered every vestige of indifference and tuned the heart for a thorough appreciation of that great militant hymn.”
[Douglas’s story will continue in my next post…]

