
[The following is from the last installment of the series, “Wanted – A Congregation!” which Lloyd Douglas published in the Christian Century during the summer of 1920. This final essay is entitled, “Fifth Phase: Making Worship Worshipful,” and it was in the September 9th issue. Douglas says:]
“Readers of these articles will have noticed that whenever the writer would ease his mind of something a bit too rough and radical to be fathered with the first personal pronoun singular, he solemnly imputes the burden to one hypothetical D. Preston Blue, who serves in the capacity of official goat, and sends him forth into the wilderness. How do you like that ‘wilderness’ idea? Well – that’s where the goat went, did he not? But, we’re getting derailed here. Lend a hand, won’t you, and let us jack this thing up on the track again.
“D. Preston Blue, on vacation, has been suffering of severe misgivings over his ‘order of service.’ He has resolved to plan a brief ritual with some inspirational possibilities. After much careful and prayerful study, he has made a service which proceeds somewhat as follows. It will be recalled that Blue proposes to have the opening hymn sung without other announcement than is to be found on the printed bulletin. There is a great deal to be said about the bulletin for which no time or space is provided here – how it ought to be made, what purposes it should serve, and the excellent service it may render as an advertising medium.
“This opening hymn is frankly announced on the bulletin as ‘The Hymn of Praise’ – and it must be exactly as advertised. Blue reflects upon the time when a peripatetic tent-preacher had taken all Centerville by the ears, and a great (as to numbers) chorus nightly sang at the top of its lungs such doggerel as distinguished the singing evangelist’s own hymnbook (which was to be had at the opening of the meeting and during several impressive intervals thereafter, for the absurdly low price of forty cents) – that he, Blue, had temporarily adopted the book in his own services, at the request of a warmed-over brother who, in the tent, had found again something he declared he had lost (and never missed). So – for several weeks Broad Street began its worship on Sundays by singing ‘Brighten the Corner Where You Are’ or ‘You in Your Corner and I in Mine’ and several other ‘corner’ hymns which appear to have been produced, as to libretto, by Mr. Uriah Heep in collaboration with Pollyanna; the music brought forth by somebody who had attempted, unsuccessfully, to compose the score for a jazz opera, and had marketed his rejected offspring for the purpose indicated above. (If any blame attaches to these remarks, see Blue.)”
[Douglas’s essay will continue in my next post…]








