
Over the next several weeks, I will be using Frieda Diekhoff’s collection of Lloyd Douglas’s sermons to reconstruct his preaching during the 1919-1920 school year at the University of Michigan. If you want to imagine the scene, the first ingredient you’ll need to include is excitement. By all accounts, Douglas’s sermons attracted enthusiastic audiences – so much so, that latecomers were often turned away for lack of seating.
Lionel Crocker was a graduate student at the time. He remembered years later that Douglas “was the leading preacher in Ann Arbor when I was studying and teaching at the University of Michigan…. I, like hundreds of others, had to be in my pew at ten o’clock for a 10:30 service” (“Preaching Through the Novel,” Classmate, March 9, 1947, p. 3).
The congregation was composed of professors and administrators from the university, as well as businesspeople from Ann Arbor. Douglas appealed to both “town” and “gown.” But the balcony was reserved for students, and it was always filled to capacity. As I mentioned in previous posts, Douglas was in charge of the YMCA at the University of Illinois before coming to Ann Arbor, so he was popular with students. But he never talked down to them. His sermons were geared to the level of educated audiences – of all ages.
It’s the beginning of a new school year, and a new season of football at the University of Michigan. The Great War (which we, with a larger historical perspective, call the First World War) is in the recent past. It’s in the back of our minds, but quickly receding. Two years earlier, everyone was walking around in a grim mood, but not now. Life is good again. Although it’s too early for people to say so, the Roaring Twenties are about to begin.
The music at this church is excellent. Earl V. Moore is the organist and choir director. He will soon become the head of the Music Department at the university, but for now he is the university organist and Douglas’s prize catch. Although people come primarily to hear Douglas preach, they also come for the music.
Here is a description by Calvin O. Davis, Professor of Education, in A History of the Congregational Church in Ann Arbor, 1847-1947, published by the church circa 1947, pp. 60-61:
“Dr. Douglas was one of the most scintillating and brilliant ministers ever to occupy our pulpit. To many individuals he was a platform orator. Facile in speech, powerful in imagery, dramatic in delivery, and quick to utilize a pithy saying or a humorous anecdote in order to emphasize a point in his sermon, he made a tremendous appeal to young and old alike, particularly to many university students. Within a short time the auditorium of the church was filled to overflowing every Sunday morning – scores, if not hundreds, of persons often being turned away from the doors by ushers because there was not an available seat left in the building.
“Dr. Douglas was accustomed to use notes in the delivery of his sermons but rarely, if ever, did he read directly from his manuscript. His aesthetic nature was peculiarly sensitive and expressive, especially in his recital of poetry, his description of art pieces, and his appreciation of music. At times his audience would spontaneously laugh aloud at some unexpected descriptive phrase or witty saying.”
But Professor Davis didn’t gloss over the negatives: “To some he seemed not deeply spiritual – more of a lecturer and entertainer than a preacher and religious inspirer. Some withdrew from the church on that account; others stayed but criticized. Certainly the religious influence he exerted through the publication of his many books since leaving Ann Arbor is proof of the spiritual leadership he possessed. It is true his theological views were broad and liberal and he gave only slight emphasis to creeds, but to the thousands who came in contact with him either on Sunday mornings or at other times he was a genuine inspiration.”
But what did he say in those sermons? That’s the question I’ll be answering in detail over the next several weeks.
