
I’ve been telling you about the sermon series Lloyd Douglas preached on the subject of “Personality” at the University of Michigan in January 1920, and in my last several posts I shared his message from Sunday morning, January 18, 1920. Although I haven’t mentioned it, that weekend was on everyone’s radar at the time, and certainly must have been important to the students who filled the balcony of the First Congregational Church of Ann Arbor, where Douglas was pastor.
For that was the beginning of the Prohibition Era in America.
According to the Eighteenth Amendment, “the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited.”
“The prohibitionist cause had always been linked to anti-immigrant sentiment,” writes Lisa McGurr in her book, The War on Alcohol: Prohibition and the Rise of the American State (New York: W. W. Norton & Company, 2016). During the Great War (WWI) “the nation’s large brewing companies, overwhelmingly in the hands of men of German descent, were further stigmatized as ‘enemies’ and ‘traitors.’ The Anti-Saloon League shamelessly pandered to the hostility to all things German to win the amendment’s passage. The league identified the antiliquor crusade as the ultimate patriotic act. The time had come, wrote one pamphleteer, for a split between ‘unquestioned and undiluted American patriots and slackers and enemy sympathizers.’ The most patriotic act of any legislature or citizen was to ‘abolish the un-American, pro-German, crime-producing, food-wasting, youth-corrupting, home wrecking, treasonable liquor traffic'” (pp. 33-34).
McGurr continues: “With the war effort and wartime patriotism at full throttle, congressional majorities well in excess of the two-thirds requirement submitted the Eighteenth Amendment to the states on December 22, 1917…. On September 18, 1918, Congress introduced a plan for wartime Prohibition at the time that many states were considering ratification [of the Constitutional Amendment]. In doing so, it once again linked the war against alcohol to the war effort. By January 1919, ratification was complete…. World War I sped the process for the achievement of the Eighteenth Amendment to an extent unexpected by even its most avid supporters” (p. 35).
“The House passed a vigorous enforcement code on July 23, 1919” and “the Senate followed suit on September 5.” It was called “The National Prohibition Act, better known as the Volstead Act, after its author, Minnesota congressman Andrew Volstead” (p. 36). It was to go into effect on Friday night, January 16, 1920, at midnight, making alcohol illegal in America as of Saturday, January 17.
Lloyd Douglas’s daughter Virginia tells this story in her book, The Shape of Sunday, about one of her father’s weekly meetings with his music director, Earl V. Moore:
“Always after the Rotary Club luncheon at the Michigan Union, Daddy and Earl Moore had a little conference to discuss how things had gone the previous Sunday and review their plans for the following one. One time in 1920 they met as usual and Mr. Moore handed Daddy the program of anthems, hymns, and solos which were being prepared by the choir for the next Sunday,” which happened to be January 18.
“Daddy’s eyes ran down the list and suddenly he raised a horrified hand to his head. ‘Earl! You can’t do this to me.’
“Earl Moore’s face expressed complete bewilderment.
“‘Don’t you know,’ groaned Daddy, ‘what happens at midnight this coming Saturday?’
“Mr. Moore thought and then remembered that at the stroke of twelve that night Prohibition was to go into effect in the United States. The solo he had chosen for Jimmie Hamilton to sing was ‘Ho! Everyone That Thirsteth'” (p. 106).
I can well imagine the balcony rocking with laughter as the University of Michigan students reacted to that!
One more comment before I leave this. There’s a passage in Douglas’s novel Magnificent Obsession that went over my head the first time I read it. It’s in Chapter Three, when Tom Masterson is trying to describe to Joyce Hudson the change that has come over their friend Bobby Merrick. Merrick got in a boating accident while drunk, and the aftermath made him a new man. The chapter opens with this:
‘You say he’s different,’ pursued Joyce interestedly. ‘How do you mean — different? Sober, perhaps?’
Masterson chuckled.
‘Don’t be a fool!’ she growled. ‘You know very well what I meant.’
A page or two later, Masterson tells her:
‘…I just kidded him a little, but he didn’t take it nicely…. ‘What’s the big idea?’ I said. ‘Gone over to Andy Volstead?’
‘What did he say?’ demanded Joyce as the pause lengthened.
‘He said, ‘Hell, no!’ and then mumbled down in his throat that he’d gone over to Nancy Ashford.’
Nancy Ashford is the superintendent of the hospital, and she has talked him into turning his life around and making something of himself. But it’s just like Lloyd Douglas to make a joke out of the Volstead Act — something that religious people, by and large, took very seriously.











